
SOFTWARES
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MAYA
NUKE
AFTER EFFECTS
PHOTOSHOP
PREMIERE PRO
DAVINCI RESOLVE
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Basics
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UNREAL ENGINE
BLENDER
I just finished a two years mission at FPS ( Framestore Preproduction Services) working as Visualization sup on Marvel's Moon Knight and on a Paramount + commercial, Postvis sup on Marvel's Loki season 2 and as Previs Lead on the HBO tv series The Last of Us .
I also helped as a Postvis Lead on a sequence for the Netflix show 1899 as well as the previs on the title sequence.
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Before FPS, I spent a year helping the layout team at Fortiche to bring the animated TV series ARCANE to the screen. My work was mainly on the camera work, character's animation timing, pre lighting, in order to translate, the more accurately possible, the Storyboard into a 3D sequence.
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I have been working for 15 years in the film industry (visual effects and animation) at various VFX houses including Framestore, Fortiche, MPC, The Third Floor, Les Androïds Associés, Mac Guff, Prime Focus, BUF and Mikros Image prior to making the leap to a director role with my first short film Pénurie. While at The Third Floor, I led the previs team on Fantastic Beasts 2, Pokemon Detective Pikachu, Mission Impossible: Fall out and Tomb Raider.
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Positive, keen and eager to learn and share my passion, I am always looking for any new adventure!
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Feel free to reach me out!
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Quentin